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Screenwriting for Beginners with Hannah Kent
Introduction
Introduction
Meet Your Teacher: Hannah Kent (2:10)
Part One: Developing Your Story
Part One Introduction (1:12)
What is a Screenplay?
The Centrality of Character
Why I Use Character to Generate Story (1:20)
Creating Compelling Characters
Exercise One: Creating a Character Profile
Exercise Two: Putting the Why in a Character Profile
Exercise Three: Drafting an Exchange
Story or Plot?
The Three-Act Structure
Exercise Four: The Secret Life of Walter Mitty
Act One
Act Two
Act Three
Plot Points
Exercise Four: Understanding the Three-Act Structure
Exercise Five: Mapping Out a Three-Act Structure
Part One Summary (0:20)
Part Two: Loglines, Outlines & Treatments
Introduction: Scaffolding & Supporting Documents (0:53)
Loglines
Writing Loglines
Exercise Six: Identifying the Components of a Logline
Exercise Seven: Writing a Logline
Outlines
Treatments and Scriptments
Exercise Eight: Studying Treatments
Exercise Nine: Writing a Treatment
Part Two Summary (0:48)
Part Three: Getting Down to Business
Introduction: Getting Down to Business (0:41)
Exercise Ten: Reading Scripts
Formatting Scripts
Software
Exercise Eleven: Exploring Screenwriting Software
Slug Line
Exercise Twelve: Writing Slug Lines/Scene Headers
Big Print/Action—What Is It?
Big Print/Action—Formatting
Exercise Thirteen: Writing Big Print/Action
Dialogue (1:10)
Dialogue (cont.)
Exercise Fourteen: Character Dialogue
Additional Formatting Must-Knows (0:07)
Exercise Fifteen: Writing Your Screenplay
Final Words (1:40)
Conclusion and Next Steps
Thank You
Big Print/Action—What Is It?
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